vaniagala: Dancekiosk

Friday, June 30, 2006

Dancekiosk

D a n c e K i o s k - H a m b u r g

A meeting point for contemporary dance in Hamburg3rd – 29th of July 2006
Hamburg in Motion! The 2nd edition of DanceKiosk-Hamburg invite national and international artists and guest teachers that represent a new and inspiring Contemporary Dance Scene.

DanceKiosk-Hamburg 2006 includes daily training, workshops and seminars for dancers, movers, actors, choreographers, and the comunity. Teaching languages in English and German.The festival Kiosk.ShotCuts will present this year on each Saturday of July the newest solo-performances from national and international artists at the Theatre Hamburger Sprechwerk: Jochen Roller (Germany), Antje Pfundtner (Germany), Sara Gebran (Venezuela), Cristina Moura (Bresil), Vânia Gala (Angola/Portugal), Dorothea Ratzel (Germany), Eva Karzag (USA), Ricardo de Paula (Bresil), Andreas Müller (Germany) and Felix Marchand (Germany).

DanceKiosk-Hamburg 2006 is supported by the Kulturbehörde der Freien und Hansestadt Hamburg.

In cooperation with Schauspiel-Studio Frese, Tanzinitiative Hamburg E.V., Tanzfabrik Hamburg, Theaterakademie Hamburg, Künstlerhaus Vorwerkstift, Kampnagel Hamburg and Theater Hamburger Sprechwerk. The festival Kiosk.ShotCuts is made possible by the NATIONAL PERFORMANCE NETWORK with funds provided by the federal government’s office for culture and media, and by the ministries of culture and art of the federal states.

For further information, schedule and booking please check:
www.danceKiosk-hamburg.de / or send an email to: dancekiosk@yahoo.de

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Vania Gala

Vânia Gala is a choreographer and researcher based in London. She holds a BA in Dance from EDDC (European Dance Development Center, Arnhem) and Master of Arts in Choreography with Distinction (Trinity Laban). She is a PhD candidate at Kingston University and a PASS studentship awardee. Gala’s research, choreographies and "conversational performances" explore the critical potential of opacity and withdrawal in choreography in the present time. Latest performative interventions include the give&take series at Tate Modern and Mesa para Práticas de Cabeça para Baixo ou de Pernas para o Ar at Museum of Modern Art Calouste Gulbenkian (2019). Collaborations as performer have involved Les Ballets C. de La B., Constanza Macras and Sonia Boyce. She has collaborated as a choreographer with visual artists Sonia Boyce, Harold Hoffeh and Griot theatre company.. Commissions include “Cooling Down Signs” a Pan- European commission by Beyond Front@ performed at Dance Week Festival (HR), D.I.D (AT), Front@ Festival (SI), Bakelit (HU). In 2019 she was awarded Best Choreography Award by Theatre Guide Awards (Portugal) for her collaboration with GRIOT. Her choreographic work has been performed in Angola, Portugal, Norway, Germany, Ireland, UK, Russian Federation and Austria. In 2005 she was awarded with “Best Female Performance” at the Dublin Fringe Festival, was part of Aerowaves Festival at the Place, London and of the 1st Triennial of Luanda (Angola). In 2007 she performed at the 1st African Pavilion at the Venice Biennale. Vânia Gala has supervised MA and MFA dissertations (practice-based, practice-as-research and fully written) and has taught practice released based technique, Composition Modules and Choreography. Prior to Trinity Laban Conservatoire for Music and Dance she taught undergraduate modules at Northampton and Kingston Universities.