vaniagala: What will be? Conference Strategies, practices and performances in social arts

Tuesday, October 15, 2019

What will be? Conference Strategies, practices and performances in social arts

What will be? Conference
Strategies, practices and performances in social arts

PROGRAMME

DAY 1

OCTOBER 21, MONDAY

Auditorium, Faculdade de Belas Artes da Universidade de Lisboa (FBAUL)

09h30

Welcome

10h00 – 12h00

Panel 1

Chair:

José Pedro Regatão | Community Public Art: Promoting Social Change

Jody Wood | Power of the Temporary: Social Art in Spaces of Transitional Living Mariana Carrolo |

Vânia Gala | Choreographies of Disappearance: opacity as a generative withholding

12h00 – 14h30 Outdoor Patio, Faculdade de Belas Artes da Universidade de Lisboa (FBAUL)

Q.B. Performance (Helena Elias)

15h00 – 15h50

Keynote Speaker – Anna Viola Hallberg and Thomas Oldrell

16h00 – 16h10

Coffee break

16h10 – 17h00

Keynote Speaker – Anne Douglas

17h00

Concluding remarks

Drawing as a process to communicate the inmate's experience: Perception and Representation of Space

DAY 2

OCTOBER 22, TUESDAY

Auditorium, Faculdade de Belas Artes da Universidade de Lisboa (FBAUL)

10h00 – 12h00

Panel 2 Chair:

Catarina Pires | Subversion as a Resistance Strategy in Artistic Activism Skider Md Zulkernine |

José J. G. Moura, Ana Alves Pereira, Isabel Roxo | What is a library for? What way to the future? 

António Figueiredo Marques | Parasomnia: Sleep against capitalism

12h00 – 12h50

Keynote speaker – Sofia Wiberger

13h00 – 14h00

Lunch

14h00 – 14h50

Keynote speaker – Team of ‘Um Monumento para o Lousal’

14h50 – 15h00

Coffee break

15h00 – 16h30 Meeting room, Floor 1, Faculdade de Belas Artes da Universidade de Lisboa (FBAUL)

Workshop Public Ethics/Urgent matters (Anna Viola Hallberg and Thomas Oldrell)

16h40 – 17h40 Meeting room, Floor 1, Faculdade de Belas Artes da Universidade de Lisboa (FBAUL)

Performance Manifest (Isabel Costa & Daniel Gamito Marques)

The Relationship Between Museums and their Communities in Bangladesh: Challenges and Opportunities

17h40 – Concluding remarks

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Vania Gala

Vânia Gala is a choreographer and researcher based in London. She holds a BA in Dance from EDDC (European Dance Development Center, Arnhem) and Master of Arts in Choreography with Distinction (Trinity Laban). She is a PhD candidate at Kingston University and a PASS studentship awardee. Gala’s research, choreographies and "conversational performances" explore the critical potential of opacity and withdrawal in choreography in the present time. Latest performative interventions include the give&take series at Tate Modern and Mesa para Práticas de Cabeça para Baixo ou de Pernas para o Ar at Museum of Modern Art Calouste Gulbenkian (2019). Collaborations as performer have involved Les Ballets C. de La B., Constanza Macras and Sonia Boyce. She has collaborated as a choreographer with visual artists Sonia Boyce, Harold Hoffeh and Griot theatre company.. Commissions include “Cooling Down Signs” a Pan- European commission by Beyond Front@ performed at Dance Week Festival (HR), D.I.D (AT), Front@ Festival (SI), Bakelit (HU). In 2019 she was awarded Best Choreography Award by Theatre Guide Awards (Portugal) for her collaboration with GRIOT. Her choreographic work has been performed in Angola, Portugal, Norway, Germany, Ireland, UK, Russian Federation and Austria. In 2005 she was awarded with “Best Female Performance” at the Dublin Fringe Festival, was part of Aerowaves Festival at the Place, London and of the 1st Triennial of Luanda (Angola). In 2007 she performed at the 1st African Pavilion at the Venice Biennale. Vânia Gala has supervised MA and MFA dissertations (practice-based, practice-as-research and fully written) and has taught practice released based technique, Composition Modules and Choreography. Prior to Trinity Laban Conservatoire for Music and Dance she taught undergraduate modules at Northampton and Kingston Universities.